PPOW are pleased to present Orchid Rain on the Underground, Chris “Daze” Ellis’s third solo exhibition with the gallery. The show is on view through April 25, 2026. Featuring a new series of paintings, multimedia installation, and a site-specific mural, the exhibition harnesses the passion and spontaneity of the graffiti movement of the 1970s and 80s while demonstrating a thoughtful and meticulous practice honed over the past five decades. While the version of New York City that fostered Daze’s beginnings as a fine artist may feel like a bygone era, the works in this exhibition are evidence of its enduring legacy. By revitalizing that foundational energy for the present moment, Daze affirms the continued relevance of those figures and places, and their profound…

François Ghebaly New York is proud to present Rise above it, John Rivas’ second solo exhibition with the gallery and first time presenting at the Lower East Side location.

Notoriously one of the most challenging objects to conceive, the chair is also among the most resonant forms an artist or designer can undertake. Intimately bound to the human body, it requires a negotiation with ergonomics, whether in pursuit of comfort or in defiance of function. Its ubiquity has made it fertile ground for material and formal experimentation, from industrial innovation to unexpected media applications. As both symbol and utility—evoking authority and dignity as readily as vulnerability—we locate ourselves in the world through this singular object. For decades, R & Company has explored the chair’s cultural and artistic significance. The Chair, Collected brings together 20 modern and contemporary works that trace inventive approaches to seat design while reflecting the gallery’s own collecting ethos…

This fall, Galerie de l’UQAM invites visitors to the highly-anticipated exhibition by UQAM alumnus David Altmejd. Work by this internationally renowned sculptor will be presented in Montreal for the first time in ten years. Curated by Louise Déry, Director of Galerie de l’UQAM, the exhibition David Altmejd. Agora unites almost thirty heads and busts, which are emblematic of the artist’s sculptural practice and were made between 1999 and 2025. Forming a remarkable assembly of mythological and real characters, spiritual and terrestrial figures, as well as human and non-human creatures, this body of work reveals the extent to which Altmejd brings about a metamorphosis of the living, induced by creative and unconscious forces, to construct a world.

Haas Brothers: Uncanny Valley is the first mid-career survey devoted to artists and twin brothers Nikolai and Simon Haas (b. 1984, Austin, Texas), who founded their collaborative studio in Los Angeles in 2010. The duo is known for their artistic practice that cross-pollinates the fields of art, craft, design, and technology.

Brazil Modern traces the evolution of Brazilian design, from its twentieth-century roots to its recognition as a vital force in the global design revolution. Characterized by rich hardwoods, ingenuity, and the spirit of brasilidade, this exhibition celebrates Brazilian masterworks through a presentation of historical works that shaped its legacy.

Roberts Projects is pleased to present What Does Webster’s Say About Soul?, an exhibition by Esmaa Mohamoud and the artist’s first solo presentation with the gallery. Featuring a suite of new sculptures that build upon Mohamoud’s rich visual lexicon, this exhibition considers the loss of innocence experienced by Black youth and how these experiences become imprinted on the body, mind, spirit and soul.

Manitoga / The Russel Wright Design Center and R & Company present Jeff Zimmerman: Glass Light Nature, a solo exhibition by the acclaimed glass artist in dialogue with the unique environments designed by Mary and Russel Wright.

We are excited to share a preview today of Eric Croes’ new exhibition, Monkey Puzzle, opening at Richard Heller Gallery in Santa Monica. Croes’ columns are to contemporary sculpture what a gourmet feast is to drive-through fast-food: More refined and customized and unique, they are also more demanding and satisfying and inspiring. Impossible to consume quickly, all repay, in spades, every bit of the attentiveness you bring to them, again and again and again.

Harman Projects is pleased to announce Sorry, Not Sorry, a solo exhibition by Montreal-based multidisciplinary artist Marie-Claude Marquis. This marks the artist’s second solo exhibition with the gallery, following her 2022 presentation, Inner Romance.